No-No Boy Questions

1. What similarities can be drawn between No-No Boy and Bread Givers in regards to the generational conflicts of immigrant families?


2. What do you think this novel is trying to say about patriotism and being American?


3. What do you think Kenji and his injuries represent and is he a "good" American?

Johnson-Reed Act (1924) aka Immigration Restriction Act

The full text of the restrictive 1924 legislation is available here.

The U.S. State Department synopsis is available here.

Ripley: Race Progress and Immigration

1. Why does Ripley fear an American future in which Europeans are “divided, permanently, into groups of different nationalities”(135)?


2. How might the social programs that Ripley proposes contribute to the "nurture" he feels immigrant populations need?


3. Why was the "physical preservation" of European immigrant populations of importance to Ripley?


4. Micheal Omni and Howard Winant in their "Racial Formation Theory" reject the concrete biological definition of race and argue that race is instead more of a fluid concept who’s meaning and understanding morphs based on the socio-political atmosphere of the time. How does Ripley’s argument for including European immigrants into the “white” racial group affirm Omni & Winant's “Racial Formation Theory?




Link to Omni/Winant article.

Give the kids some books, because prisons are getting pricey. Cat's Questions!

Diego Rivera, Pan-American Unity

• Both Ripley and Bourne assert that there is an understood ascendancy of Anglo-Saxon "native born" Americans over that of the European immigrants entering the United States at the turn of the 20th century. There is a blatant negation of the inherent value of the cultures which these immigrants represent insofar as what they could add to the existing Anglo culture of the US, but instead stresses their value for how they can work toward growing a healthy and intelligent servant class of individuals. Yet, Bourne understands that there is a sort of sensational American surface culture in which the immigrants tend to cling. In which ways does he think that the sensational culture at the time tend to deteriorate the Anglo ideal, and how is it that the growth of this sensational culture by the large immigrant community further deteriorate the existing dominant culture of the US at the turn of the century?
• Ripley's article repeatedly makes use of dendrological metaphors in relation to the immigrant class. (Hewing wood, graft {here graft has both horticultural and political dual meanings} and greed, all sorts of references to the relative fruitfulness of women.) Given that the idea of relocating and settling permanently somewhere is often referred to as "setting down roots," in which ways do you think Ripley's article is suggesting that the Americans do that very thing? How could the notion of "the family tree" be related to both the article and the metaphor?
• There is a notion in both articles of a sort of radical racial purity among the Anglo-Saxon majority of the US. Conversely, as Ripley suggests, there is a plurality of cultures and racial intermixing prevalent among immigrant communities in the United States. How does this separation of cultures propagate the very problems Bourne and Ripley are addressing? (a culture of excessively sensational mediums, decreased birth rate, criminal activities, etc.)  

Cat Tan

Claude McKay poems - Kevin's discussion Q's

Kevin Bresnan writes:

America and The White House are complementary poems, America being one about his love for a place that drives him mad and treats him poorly (because of his race, although he never mentions that), and The White House which is what I see as the breaking point of this tension found in America. 

I don't know how closely in time America and The White House were written, but for my arguments sake lets home America was written first. Does the optimism found in the final four lines in "America" die off in the writing of "The White House"? Or is he just elaborating on that "bread of bitterness"?

In a previous class with Entin we read Claude McKay and discussed his use of Sonnet as a form. Here both America and The White house, poems in protest of the way this country treats him, are written in the traditional sonnet form, most famously used for fawning over a romantic interest. Is this re-appropriation of the sonnet a way for him to take a very Anglo-American, Western, form and turn it against them?

Essay 1 Assignment

Click here for Essay 1 assignment sheet

Immigration and Caricature Images Questions

• What information can we gather about the era, especially relating to immigration, by analyzing these caricatures? 

• What is the significance of incorporating Uncle Sam in some of these caricatures? How does his representation differ from one caricature to another?

• There is a difference in visuals/illustrations throughout the caricatures, which can be seen particularly between “The Anti-Chinese Wall” and “The Salons of New York”. Why is that? What factors could have affected the illustrators' choices in creating those visuals? 

• What were the various functions that these caricatures served? Did they exacerbate or attenuate the political climate of that time?

• Without knowledge of the historical context around these caricatures, would they still be useful or meaningful in any way?